All Jazzed Up, Part 1: Guitar
March 21, 2008Two weeks ago, I mentioned about writing a beginner’s guide to jazz music. I figured that the best way to approach this is to specify an instrument, and then list five of my favorite albums from artists playing this instrument. So, welcome to the first installment of All Jazzed Up. As the title suggests, today I will be discussing jazz guitar albums.
5. Virtuoso by Joe Pass
Frankly, there is nothing very remarkable about solo guitar albums. Too many artists do solo guitar albums and, after listening to a few of them, they tend to sound exactly alike. Joe Pass’s Virtuoso, however, outdoes a lot of them because of improvisation skills worthy of the album’s namesake. Yeah, I think that’s kind of cheap to say that. Joe’s a virtuoso, and you can hear that from how he interpreted the 11 jazz standards (and one original track) selected for this album. Most other guitarists, when they want to show off, they resort to being loud or fast. Joe effortlessly displayed impressive fingerworks while playing mellow tracks. I don’t know how he does that, and that’s why this album belongs in my top 5.
Night and Day (Joe Pass)
4. Inner Mounting Flame by Mahavishnu Orchestra
If there’s a jazz album that I would unhesitatingly hand to any rock fan, it’s Inner Mounting Flame by Mahavishnu Orchestra. “But this is an ORCHESTRA!” A two-word rebuttal: John McLaughlin. Look at his guitar. Your objections are overruled. He’s the leader and the selling point of Mahavishnu Orchestra. Quite unlike all other albums I’ve chosen for this list, Inner Mounting Flame is a jazz-rock album, and it rocks as much as a Jimi Hendrix album, right down to the blistering guitar works. It also earns point for being rife with Hindi influences, which makes it a standout work in comparison to everything else.
Meeting Of The Spirits (Mahavishnu Orchestra)
3. Smokin’ at the Half Note by Wes Montgomery
Many will debate on who is the best jazz guitarist of all time, but Wes Montgomery is with little doubt the most commercially successful one. His discography, from his early bop outing to his late devolution to the ghastly pop jazz, has always inspired contemporary jazz guitarists. Without him you wouldn’t hear a lot of jazz guitar albums - although that also would’ve also saved us from some disgusting George Benson airport records. Anyway, imagine the kind of music the typical jazz trio of a pianist, a bassist and a drummer plays. Add Wes to the trio, and you’ll have a good idea of what Smokin’ at Half Note sounds like. The song Unit 7 is heralded as the best jazz guitar song ever recorded. I’m not sure about that, but you can hear it here and be the judge.
Unit 7 (Wynton Kelly Trio & Wes Montgomery)
2. Idle Moments by Grant Green
I could’ve easily put this album on number one, and the only reason why I put another album on the top is because it’s more beginner-friendly. Idle Moments is to me the finest Jazz guitar album, and what’s unfortunate about it is that it’s very hard to describe. That may not be a bad thing though, because the album is certainly unpredictable. All four songs here are varied and memorable, and they have plenty of impressive guitar solos. The vibraphone also helps in many ways, and it blends remarkably well with Grant’s guitar. I know I’m not doing a good job describing Idle Moments, so let me just tell you how to use this album. Ensure that it’s late. The time I post this entry is ideal. Now find a comfortable sofa. Dim the lights. Play the album. Forget all these lousy electronica stuff patched together on Macbook’s GarageBand - this one is the real chilling out done by genuinely talented musicians.
Jean De Fluer (Grant Green)
1. Midnight Blue by Kenny Burrell
That previous entry may have turned you off from this album. Pay that no mind, though, because Midnight Blue is superb. In fact, both Idle Moments and Midnight Blue are albums that I would’ve brought to a deserted island, especially if I plan to become a nocturnal being while living there. Midnight Blue is different to other jazz albums because, unlike most of them, it has a conga and no piano. I think that’s done to make this album more Latin sounding. It works. Midnight Blue is also commendable because the songs aren’t lengthy (quite opposite to Idle Moments, although its length is never tiresome) and they’re very memorable. And did you read the remark on Unit 7 being the finest jazz guitar song? Well, I disagree. I hand that distinction to Midnight Blue!
Midnight Blue (Kenny Burrell)
Disagree with me? Think I have unjustifiably overlooked some artists? Have other albums to recommend? Hit my comment box!
Previous Comments
Btw, it’s a nice refreshing look!
Posted by Tongue's Wrath at March 23, 2008, 2:42 amHey Tongue’s, thanks for dropping by.
Your sentiment about John McLaughlin was identical to my piano teacher’s. Are you a San Bedan alumnus?
I like Led Zep and Allman Bros. a lot, but besides them, I’m not very familiar with 70’s rock. Something I hope to remedy soon.
A-ha, Charlie Christian! I expected his name to come up here at one point. What can I say, I have that Genius of Electric Guitar album (cost me a fortune, though), Bright Size Life and Incredible Jazz Guitar. I’ve been trying to find an album of Django Reinhardt too, but I only got Larry Corryell’s tribute to him. And Herb Ellis, well, his album that I have isn’t very good. Anyway, I considered Bright Size Life, Genius of Electric Guitar and Incredible Jazz Guitar, but ultimately I found that I liked those I’ve chosen for this list better. Still, they’re incredible albums too and I’d recommend them to anyone.
Stan Getz isn’t a guitarist! Maybe you meant Joao Gilberto or Charlie Byrd?
I admit, though, that I know a lot more about jazz piano than jazz guitar, and when the time comes for me to list down 5 favorite jazz piano albums of all time, I’ll be at some quandary. Which is why I’m making the piano list my last. What I hope to write by next week is my top five jazz vocals albums.
Posted by nightdreamer at March 23, 2008, 8:05 amI guess I’ll have to agree with Tongue’s Wrath about McLaughlin. I wouldn’t have included any of his albums were I to make a list of my top five jazz guitar albums. In its place, I’ll probably put Pat Metheny’s “As Falls Wichita, So Falls Wichita Falls” album. Sorry to be biased, I’m a huge Metheny fan, I’m a pianist, and the collabaration of Metheny with Lyle Mays is certainly a huge factor. Maybe I’d also have replaced one of the other four albums (although the only other one I’ve listened to is Midnight Blue, so I can’t say which one cos I haven’t listened to the other 3) with Bright Size Life. SEE? I told you how much a Metheny fan I am. From high school to college, to yuppie days…Metheny rocks (pun here)!!!
Oh, and before I forget, you other readers of this blog might want to try listening to Paco de Lucia for a change. I think he’s the best flamenco guitarist ever.
Gosh, you’re right ND, what I really meant was Joao Gilberto, his bossa nova guitar playing, untypical of Brazilian guitarists, was flavored with the root monotonic chords a la One-Note Samba complemented Stan Getz’ tenor sax. Though Moonlight at Vermont isn’t a “pure” jazz guitar album, it still makes my list. Their music was tight and smooth. The partnership ended, rumors have it, when Joao caught Stan screwing his wife Astrud, heheh.
Spirit Wind,
am a big Paco de Lucia junkie myself, still consider him as the best flamenco gitmaster next only to Andres Segovia (when he plays flamenco). The others I listen to are the father-and-son pluckers Carlos and Ramon Montoya. Add the upcoming Alvaro Pierri who played here at the Philamlife theater Dec. 8. Blogger/Journalist Ellen Tordesillas offered me free tickets to that concert which also featured breakthrough Russian Pianist Ilya Rashkovsky’s second Manila tour and stupid me, I passed up!
Yes, Metheny! I once had this live album where he played “Sunny” - my favorite cut - which was stolen in one of our mobile rental parties at Manila Pen’s ballroom. I told management it was a rare collector’s item worth $5000 they had the guards inspect all the guests bags! I actually got it as a gift from a friend, heheh. But I later found out it was really rare, not worth $5000 though. Never saw it again, I now suspect it was the waiters.
I was looking for Sunny on the web but the closest i could come up with is this one by Jake Reichbart:
http://it.truveo.com/Sunny-jazz-guitar-solo/id/2547681245
Look at Metheny on his unique 42-string custom here:
http://it.truveo.com/Pat-Metheny-Acoustic-Guitar-Solo/id/390259707
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Good job, Nightdreamer!
I have listened to Joe Pass’ many collaborations, I particularly like those he did with Oscar Peterson and his duets with John Pisano. I have some in my vinyl collection I
told you about. He plays fingerstyle (without a pic or plectrum) but although he has mastered the quick bursts his arpeggios do not evolve to a climax which to me sounds like it’s without direction. The lack of depth in some of his songs is characteristic of a cokehead and marijuana junkie, which maybe has affected
his virtuosity, after spending several years in rehab. He’s outstanding though when he’s clean and sober. He’s the “unpolished Martin Taylor” of old.
Ah, John McLaughlin, we hated the guy back in High School. One group had him as their “hero”. They played Weather Report, Mahavishnu, and Chick Corea’s Return To
Forever. We were into Led Zep, Foghat, BTO, Allman Bros and Jeff Beck. We didn’t consider his music as jazz fusion. It was more experimental rock which at the time clashed with what we knew jazz to be. Of course, he’s different because he’s English and and his association with Jan Hammer and
Narada Michael Walden, both later moving to jazz-rock proponent and John’s compatriot Jeff Beck, isn’t anywhere near American jazz fusion we are familiar with.
But when guys like Al Di Meola, Pat Metheny, Lee Ritenour, and John Tropea came out, we stopped playing and started listening, the dividing lines became clearer - this was
real fusion. We got this rude awakening after watching Eumir Deodato at the Big Dome where he introduced John Tropea as his new
axeman. That time, McLaughlin was then playing trio with DiMeola and Metheny where we find him very much improved and contained in a specific movement unlike his
Mahavishnu days. His Indian music influence helped him develop arpeggios that are uniquely his, helping him survive the talent
onslaught from Di Meola and Metheny.
Wes Montgomery deserves to be in that list, but should be holding top spot.
I like Grant Green and Kenny Burrel, too. Though I may disagree with Midnight Blue as the best jazz guitar album.
I think you overlooked Stan Getz, Al Di Meola, Charlie Christian, Django Reinhardt and 7-stringer Lenny Breau. Or my own second-
stringers (pun here) Chet Atkins, Larry Coryell, Herb Ellis, Pat Metheny, and Allan Holdsworth.
My own 5 Greatest Jazz Guitar
Albums of all time:
5. Five o’clock Bells - Lenny Breau
Posted by Tongue's Wrath at March 23, 2008, 2:39 am4. Moonlight in Vermont - Stan Getz
3. Bright Size Life - Pat Metheny
2. Genius of the Electric Guitar - Charlie Christian
1. Incredible Jazz Guitar - Wes Montgomery